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MACRO ZOOM LENS WIDE ANGLE OBJECTIVE

15) Zoom Lens: The zoom lens is indispensable when you do not want to change lenses for long or difficult circumstances, and you want to take pictures from various focal lengths. The zoom is variable focal length, unlike s of telephoto lenses that have a fixed focal length. Zoom lenses can have four focal lengths, which would include four different telephoto lenses, say 75 to 200 is: 75 mm 100 mm 135 mm and 200 mm. Its cost is slightly elevated and are much larger and bulkier than the other objectives, the aperture is not greater than a normal lens, varies between 3.8 or less but offers much more than a normal lens, since in a or just can have a normal lens wide angle, macro option and a small TV, the objective has an aperture ring, focus and has one more control that adjusts the focal length . The zoom lens is recommended for any photograph, whether portrait, landscape, sports, and has the option of macro photography
also

16) Tele: telephoto lenses are recommended for photographs places where you can not reach, also for nature photography, sports, portrait ... in this type of targets can vary their focal lengths, zoom lenses are known through 100 mm from 200 to 400 and 500 mm focal length is higher, but are called super-telephoto lenses as the 1000 mm focal length. The telephoto lens has less depth of field that a fisheye lens or a wide angle, has a problem, which compresses the visual optical blurring the background, this means, which are more narrow and reduces the depth of field. Focus is much more difficult with a telephoto lens, but the good thing about having a TV is that it can eliminate undesirable funds in the picture, since it reduces Dad depth of field.

Objective: Tele Format: Color
Aperture: 11 Lighting:
Backlight Film 250 Speed: 36 ASA 100 Kodad EPx


Objective: zoom (macro option) Format: Color
Diaphragm: 16 Lighting: Zenith (Bulb)
Speed \u200b\u200b125 (100 WT = 2900 ° K)
Film: ASA 100 Kodad 36 EPx

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17) Wide Angle Lens: The wide-angle lenses cover more of a scene than normal goals, but much less than the objectives of fish, the fish is the goal that embraces most of a scene. This objective has an aperture about the same as a normal goal, beating and tele zoom lenses, but fails the opening of a fisheye. The objective increases the depth of field, you can use photos where you want to cover more of the scene and achieve maximum depth of field. However, the wide-angle lens has a problem with the first planes, since it produces a noticeable distortion, not advisable to use the target for portrait photography

Objective: Super wide angle (20mm) Format: Color
Diaphragm: 16 Lighting: Front (Daylight)
Speed \u200b\u200b60 Slide: 36 EPx ASA 100.

Objective: Wide Format: Color
Diaphragm: 16 luminación: Daylight
Speed \u200b\u200b60 Slide: 36 EPx ASA 100.

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OBJECTIVE

18) Normal Objective: The normal lens is one that has almost always 35 mm SLR camera SRL your purchase, its focal length is 50 mm, This type of lens, has a major advantage, a diaphragm with an opening capacity increased to more light, a zoom lens or a telephoto . It is advisable to use in low light. Its aperture ranges from 2.8 to 1.7 or 16 or 22. In it, is the focus ring, diaphragm, and a depth of field scale. Keep in mind that when it comes to this goal, we providing a vision similar to the human eye. Is used heavily in portrait photography as they do not distort the image in the foreground, and is one of the cheapest in the market objectives.

Objective: Normal Format: Color
Diaphragm: 3.5 Lighting: Light Tungteno
Speed \u200b\u200b30 Movie: CCD digital camera


Objective: Normal Format: Color
Diaphragm: 2.8 Lighting: Light
Against Speed \u200b\u200b15 Movie: 36 EPx Kodak ASA 100 .

If Measure 48 mm, the ratio of focal length of the fixed lens is between 40 and 60 mm lens or objectives are considered normal for the 35 mm format, that are close to that distance in millimeters to measuring the diagonal of the format used to doing.

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NORMAL TYPES OF MOVIES FILM

20) Types of Movies: photographic films have measurements in ASA (American Standards Association), as the film we use, slow, medium, fast or ultra-fast, they will have different ASA numbers, and each of them are used for different lighting situations, it should be clear, it must be indicated on the camera when in use. The higher the ASA number the more sensitive the film to light.


21) What is the point? : The grain is that in the high-speed film (160-400 / 800 / 1600 / 3600 / 4000 / 8000) tend to produce irregular groups distributed, giving a grainy appearance photos.

The grain will be growing and more noticeable in large prints. Remember that one will be most noticeable film grain in ultrafast and high magnifications.
Objective: Macro Format: Color
Diaphragm: 3.5 Lighting: Light bulb (side)
Speed: 60 Movie: 12 EPx Kodak ASA 1600.

22) short films sensitivity to light (25-35) are best if you want a good image clarity, a total contrast, and sharpness. A Macro lens lighting and a headstock (Flash) with a yellow filter and a tripod, was what was used.


23) medium-speed films (64 - 125) are used in current times. The picture above was made with a normal lens and ASA 100 film. LEFT side lighting and a couple of bulbs on the right side, was the lighting that was used.


2 4) High sensitivity movies or movie fast (400 - 3200) are used in the middle of sports and motion pictures, and sometimes dim lighting are excellent, or just to be able to freeze the movement.

Numbers

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slow film ASA: ASA 25 - ASA 32

Objective: Macro Format: Black & White
Aperture: 3.5 Lighting: Daylight 5,600 to 6,000 º K
Film Speed \u200b\u200b8: 36 EPx ASA 100 rewind. 25) Movie Slow: slow films are those that have a much finer grain, used outdoors or if you want to use indoors, should be properly illuminated. The slow ulas FILM are used mostly by professionals who are dedicated to advertising and portrait photography are excellent for giving a better quality textures and very good for big enlargements. These films slow need good lighting, and asked that the meter very slow shutter speeds and a much smaller aperture. It is recommended to use a tripod for slow speed photography.

Objective: Macro Format: Black and Nenro
Aperture: 3.5 Lighting: Tungsten 3200 º K
Speed: 4 Movie: 36 ASA 100 rewind EPx

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SLOW MEDIUM AND FAST

ASA film Sox Numbers:
64 ASA - ASA -100 125-ASA

26) Movie Media: average films are those that use disposable cameras are recommended for beginners in photography, these are the best selling movies in the market. They usually have a good crop, but much lower than that of slower films. are used in still images and in daylight. Objective: Wide Format: Color

Aperture: 11 Lighting: Daylight 5,600 to 6,000 º K
Speed \u200b\u200b60 Movie: 36 EPx ASA 125.

Numbers Fast film ASA: ASA 160 - ASA 200 - ASA 400


27) Movies Rá ask: A comparison of slow and movies stockings movies, these films usually have a grain fast much larger, usually not recommended for large prints. The fast films can lose a lot by the grain, but gain a lot in places where lighting is poor, do not require much ilu nation in the scenes and aperture openings are usually much smaller. They are used for sports, to get photographs of frozen, are also recommended in the theater, indoor and low light indoors

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MOVIES MOVIES MOVIE ultrafast and

28) What is to force the eg follicle? The use of forced labor is convenient when you have a roll in the film because it does not cover the conditions for photography. Normally, h is often forced to ESRC extreme conditions, as in places where the light is dim, color film and black and white, can be enforced in two ways, first is for Tsar directly by the camera's meter indicating the increase ASA is desired, the second is p or through a laboratory. The amendments will be doubling the ASA equivalent example: A SA 100 pass to ASA 200, ASA 40 0 Pasara to ASA 800 or if you want you can go to an ASA 1600. These increases in sensitivity of the film, will have significant loss of image quality. The black and white films are often forced even much more than color, but comes more enforced will continue to lose more and more quality.

PHOTO ISO (ASA) 100

PHOTO ISO (ASA) 400

PHOTO ISO (ASA) 800

29) Ultrafast Movies: The problem with these films is that they are very hard to get, and its cost increases significantly. Ultrafast films have to give a very clear grain, are often used mostly indoors, in places where light is scarce, also serve to freeze the motion. Usually because they are hard to come by, photographers tend to force the roll at these speeds, but to force the roll seriously damages the film and the image quality.

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FORCE COMPOSITION OF AN IMAGE TEXTURE

The composition of an image: All photos of the world communicate something, but the problem is, that some of them almost never achieved this. To communicate we surprise our viewers, we know that photography always viewed from a personal viewpoint expressed ... lo que sentimos , lo que pensamos, nuestros sentimientos, temores, amores, tristezas, pero debemos ser claros para que los demás también entiendan nuestro trabajo.

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30) VISUALISAR LA TEXTURA: Todos los objetos del mundo tienen una textura y una forma única que los diferencian de todos los demás, para realizar las fotografías de textura es importante tener el conocimiento y claro está un objetivo macro , ya sea el de una cámara compacta pequeña o una réflex digital de último modelo. También SRL if we have a little camera lenses we can use the popular approach because they provide an insight into the scene really excellent almost equal to the target, even if both are available, can be used together creating the master of masters in approach. All textures give the viewer a sense of realism, is the same when you're facing one of them that makes you want to play, but remember to look and not touch is called respect ... but hey should make a picture better than an object so all could see, some looking, not touching and respect right? ... objects generated in the need to touch them, just photographs, observing, analysis, namely that they are made. There are thousands of textures in different elements, as well as all elements of the world have one, you just need a good camera and an excellent macro lens, to get only with high quality images for observation of the same. Giving an example might be the texture of clothing, an animal, wood or a soft, delicate silk, not really know how many types of texture in the world there, but what we can do is watch this type of photographic examples that I made for you to see (remember not to look) the quality of a macro lens and what you can earn that kind of textures that only get the experience and excellent SLR camera.

EXAMPLES OF TEXTURE (MACRO PHOTOGRAPHY)

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VISUAL OR REPETITION RATE OF MODULE

32) visual rhythm and repetition of form: Well let's start with a simple and straightforward explanation of what visual rhythm and repetition of the module, and more precisely where we can find. Oddly it is not, it's easier than it seems, as its name says repetition (several, more than two, many, more) module (object, element, animal, person ...) means that the element or module is repeatedly on the screen either two or more times. To achieve a photo with a visual rhythm should find several objects of the same reason, these may vary in color, but if you want you can also make a repeat module only with colors, you have to do a composition photography, you can also perform this repetition with colors as I said before, shapes or lines. must be taken into account not only show a visual rhythm, but to communicate something, well of course that everything is a bit of everything, and not look like a repetition is something that gets a lot attention, make a visual harmony photography and capturing the eye of the beholder is what we want to get a great professional photographer.
So here I leave a simple and modest examples of repetition of the module.

VISUAL SAMPLE RATE

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DIAGONAL LINES AT

32) Diagonal lines: The diagonals are lines cross the photograph as divided spaces in the law of the third, as we know the law of the third is easier there, why, when we have a simple digital camera compact cameras have an option called online guide, this will be the we divide the frame into nine areas of the same size, with this is that you can earn your strengths as we saw earlier.
Lines can go from the bottom up or vice versa, this type of lines in the photograph, are used to guide the eye, as we know the main idea of \u200b\u200ba photograph is to catch the eye of the observer, moving and directing the gaze observer for photography according to the direction lines., if conseigue this with a photograph of diagonal lines, we can say we are learning basic photography, we will soon be a wonder in the evolution of advertising photography. The lines can be produced by a light, cables, railway, street, sometimes the floor and railings., Or any object or line that is visible in the photograph, these are just some examples that I give you learn to understand which way we go. The pictures on this page consist of a series of diagonal lines that are managed over the whole image, the first in three divisions of the photograph, the second with a diagonal line on the middle of the image, and the third is that of the police, which form a diagonal line on the bottom of the image.

EXAMPLE OF LINEN DIAGONAL
This is a simple example with some of the positions where they can position or place
lines on the photograph.

This photograph was made in Bogota Colombia, Bolivar Square, right in the location of the president's house. (Currently President Alvaro Uribe Vélez) year of the photograph 2006.

Plaza de Bolivar Bogota Colombia, 2006. Nariño's house is guarded and protected by police, due to a demonstration. Photography Year 2006.

MORE EXAMPLES OF PHOTOGRAPHS

Photograph taken in 2006, Bavarian Night shot of the packages. Center, Bogotá Colombia. Kodad ASA 100 film. This photograph was made with 100 ASA film forced to 400.

Photograph taken in 2007 at the point of the 26. Bogotá Colombia. 35 mm film rewound and Soft Black. Scanned at 1200 dpi.